Mei yao chen biography

Today as in ancient times. Poetry in China, as in any other culture, traditionally functioned as a privileged realm containing only the most essential of human utterances: the most complex or intense thoughts or emotions, reflections on spirituality or urgent social issues, and so on.

Mei Yaochen (born , Xuancheng, Anhui province, China—died , Kaifeng, Henan province) was a leading Chinese poet of the Northern Song dynasty whose verses .

One compelling poetic strategy is to bring seemingly unworthy material into this privileged realm, for this gives a certain eminence to the seemingly unworthy and, at the same time, challenges the idea that some things are loftier than others. In Taoist terms, this means that one is beyond choosing what to value and not value, an act that separates a person from the indifferent unfolding of tzujan.

By replacing the striving for profound and exquisite effects typicsl of serious poetry with an artless simplicity, Mei elevated that simplicity into complex wisdom. Frogs in the east pond, one jumps after another endlessly. Reeds invade my flower garden, suddenly as tall as the banister. No wagon and horse in front of my door. The moss looks so dark.

Mei Yaochen (traditional Chinese: ; simplified Chinese: ; pinyin: Méi Yáochén; Wade-Giles: Mei Yao-ch'en) (–) was a poet of the Song dynasty.

Zhaoting Mountain behind the house is blocked by clouds again and directionless where can I go? I just meditate on a bed in solitude and forget outside concerns, in a low voice read aloud the Daoist canon. Then suddenly, the falcon, cruel claws spread, and crows caw, magpies screech, and mynah birds cry out. The raging falcon, coming on, catches the scent of flesh.

Scavengers, artless schemers, cowards all: Circle, aching to come close, their hungering eyes transfixed by the scene. A crowd of kids stood pointing. Folks on the street just laughed.