Libros de teatro stanislavski biography wikipedia

He was widely recognized as an outstanding character actor , and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation.

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Stanislavski his stage name performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre MAT company with Vladimir Nemirovich-Danchenko , following a legendary hour discussion. He collaborated with the director and designer Edward Gordon Craig and was formative in the development of several other major practitioners, including Vsevolod Meyerhold whom Stanislavski considered his "sole heir in the theatre" , Yevgeny Vakhtangov , and Michael Chekhov.

Stanislavski wrote that "there is nothing more tedious than an actor's biography" and that "actors should be banned from talking about themselves". Stanislavski subjected his acting and direction to a rigorous process of artistic self-analysis and reflection. Both his struggles with Chekhov's drama out of which his notion of subtext emerged and his experiments with Symbolism encouraged a greater attention to "inner action" and a more intensive investigation of the actor's process.

The system cultivates what Stanislavski calls the "art of experiencing" to which he contrasts the " art of representation ". Later, Stanislavski further elaborated the system with a more physically grounded rehearsal process that came to be known as the "Method of Physical Action". Just as the First Studio, led by his assistant and close friend Leopold Sulerzhitsky , had provided the forum in which he developed his initial ideas for the system during the s, he hoped to secure his final legacy by opening another studio in , in which the Method of Physical Action would be taught.

Stanislavski had a privileged youth, growing up in one of the richest families in Russia, the Alekseyevs. As a child, Stanislavski was interested in the circus , the ballet, and puppetry. Increasingly interested in "experiencing the role", Stanislavski experimented with maintaining a characterization in real life.

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Shchepkin's legacy included a disciplined, ensemble approach, extensive rehearsals, and the use of careful observation, self-knowledge, imagination, and emotion as the cornerstones of the craft. By now well known as an amateur actor, at the age of twenty-five Stanslavski co-founded a Society of Art and Literature. In February , Stanislavski directed Leo Tolstoy 's The Fruits of Enlightenment for the Society of Art and Literature, in what he later described as his first fully independent directorial work.

Stanislavski's directorial methods at this time were closely modelled on the disciplined, autocratic approach of Ludwig Chronegk , the director of the Meiningen Ensemble. Stanislavski uses the theatre and its technical possibilities as an instrument of expression, a language, in its own right.