A matter of time richard serra song

However, it has had direct applications in the history of architecture, technology and industrial construction. In his installation The Matter of Time and for most of his works, Richard Serra San Francisco, USA has used weathered steel, a type of steel usually used in the construction industry and that changes over time.

The Matter of Time by Richard Serra, the Guggenheim museum, g: song.

However, for Serra, the main material in these works is space. All the pieces that create the installation of The Matter of Time are made from weathered steel, a type of steel usually used in the construction industry for bridges and buildings. These materials are traditionally related to the fields of architecture and engineering. When outdoors, the color of this material slowly changes turning from grey to orange to finally adopt a dark brownish tone, a process that takes about seven or eight years.

After 10 years indoors the process takes longer than outdoors , when the rusting process is completed, all the pieces have a homogeneous, soft and continuous surface. This software calculates the position and the angles of the steel plates that form the sculptures. Lastly, the works are created at a large scale in factories that produce the steel plates.

The artist, therefore, conceives the work but, due to its dimension, weight and qualities, needs to be helped by other workers to materialize his idea.

The Matter of Time (in Spanish: La materia del tiempo) is an installation comprising eight pieces of torqued ellipses made of weathering steel (COR-TEN steel), by the US sculptor Richard g: song.

The materials that Serra has used the most throughout his career have been lead and steel, and from the seventies on, he started using steel more frequently. These are all familiar materials for Serra, since as a student he used to work as a steelworker to cover his college expenses. The articulation of space has prevailed over other aspects.

I try to use sculptural shapes to differentiate a space. While the physicality of space has always been one of the recurrent themes in these works space turns into a material. In these works, however, I started with the void, that is, I started with space, starting from the inside towards the outside, not from outside towards the inside, to be able to find the skin" 3.